For theatres

Staging of performances, ballets, operas, and show programs — from classics to high‑tech.

Selection of a team and performers for any genre.

Creation of an original musical score, work with a composer, recording of the soundtrack, arrangement and orchestration.

Conducting castings, site audit, optimization of equipment and stage spaces.

Development of lighting scores, video mapping, and augmented reality technologies.

Creating an effective PR content network to attract attention and promote the event.

A creative approach to creating video art, teasers, and artistic video shooting.

Crisis management for the theater and monitoring the quality of productions.

The art of new forms

From the legends of past civilizations to the modern transformations of popular works, where every detail—from a gesture to a pattern on the set—carries a symbol and an idea.

Annushka

In the well‑known play, we see Anna’s final choice, but we don’t know what life outcome it leads to. Enjoying the attention and luxury of a new world for her, she gradually loses herself, her kindness and warmth, and becomes one of many spoiled women. She loses her life’s guiding principles in the whirlwind of corrupted values. The production is built using choreography, plasticity, set design, video design, and vivid, original costume images. Verbal communication is limited to short phrases, occasionally used by the characters to emphasize their characters. The traditions of physical theatre, Pina Bausch, and modern dance.

Duel

The eternal theme of love, loneliness, and the confrontation between two inseparable principles of the universe. He and She in their dance that lasts a lifetime. In his world, she is a vision. In her world, he is a magnet that attracts and repels. A room that stretches across a series of lives, corresponding to the number of their reincarnations, where an unfinished chapter brings together the best solutions from the hidden corners of their wanderings. A performance for two charismatic ballet dancers with a modern dance background. 75 minutes, a black box, simple interior elements, a complex lighting score, 5 costume transformations, an impressive soundtrack.

The last temptation

An original production in the modern style. An artist from Pompeii creates drawings, earning a living.
Vincent (that’s the main character’s name) listens to voices and sees visions, pondering his purpose, but he doesn’t know who chose him: God or the devil. Theodore, Vincent’s close friend, is consumed by anger because of his assistance to the authorities and even strikes him, betraying him. To find answers, Vincent sets out on a journey together with his invisible companion. He will have to walk the path of a hermit, leading the blind to the light, and this path will be full of trials.

Play

The performance is a form of cinema, the video sequence and the soundtrack are the main expressive means, BUT the viewer does not know this, in front of him throughout the performance, an improvisation performance based on acting and choreography is played out. We learn about who WE ARE from our mother's speech, the timbre of her voice, her smile or lack of it, and her touch... And then WE see ourselves in the mirror-that's what WE are all about... It turns out that WE can only see ourselves outside of ourselves, as a mirage of ourselves...? Is it really necessary for US to be reflected in order to exist? And do WE exist without a reflection? A person doesn’t adapt to reality; they adapt reality to themselves.

A ballet‑mystery set to the music of a popular classic; it has not been staged before.

A symphonic composer, an amazing world of images and solutions. Transforming sets, epic costumes. This is a unique large‑scale work that has never been staged before. 2 acts, each 50 minutes long. 4 main characters, 5 supporting interlude roles, significant work by the corps de ballet, up to 60 performers. Score, piano score, copyright, and a name derived from a well‑known classical work. For a theatre with a stage mirror over 14 metres wide.

The chronicle of the ancient city

The show’s program and aesthetics are entirely based on historical information and an original script. The features of the national culture and traditions are fully reflected in all aspects of the show: ornaments, music, costumes, etc. The plot is rooted in the national epic; according to the plot, the heroine (or heroes) travels through time and space, visiting and interacting in each world with the elements, guardians, and deities.

The space inside

A one‑man performance in the genre of transcendent experience. The main idea is to show the artist’s inner world, in which he lives and exists as a unique character. The foundation is the artist’s line, his life path, his metamorphoses and life’s quests. In terms of form, the performance is an action in which one artist concentrates all the lines of the visual environment on himself.

The Voices of the Gods

This unique performance combines theatrical and modern 3D effects, video installations, a grand lighting score, and otherworldly music featuring a choir, vocalists, ballet, and orchestra. To bring the creative ideas to life, more than 20 tons of sets and equipment will be used, and more than 150 artists and musicians will be involved.
The plot of the performance tells the story of the main character’s experiences, search, and inner struggle — the Wanderer. The hero constantly questions the past and the present, good and evil, contradictions, and the writings of holy books, and often the answers to his questions come from the past and the present, which connect time and space.

Are you interested in the idea? Write to us, and we’ll discuss it or find a solution for your theater, studio, venue, or festival.

Classical ballet in a modern interpretation

A production of classical ballet using modern technologies.

Opera in a high‑tech style

Creating an opera with elements of futurism, steampunk, and pop art.

A crossover in the style of philosophical grunge.

Development and staging of a show with a focus on modern genres and stylistic solutions.